Australian bare knuckle-champion-turned-boxer, Larry Foley, was the late Victorian-era equivalent of Dwayne “The Rock” Johnson. During the last three decades of the nineteenth century, he had a stellar profile as a sporting star. And from time to time, he used this to put in cameo appearances in big theatrical productions in Sydney.
Foley first came to fame in Australia when he fought a gruelling bare knuckle prize match against Sandy Ross on 18 March 1871. He also won the Australian bare knuckle championship against Abe Hicken at Echuca in 1878 – a match he said was brazenly attended by the Ned Kelly while the bushranger was still at large. Soon afterwards, Foley became a key figure in Australia’s transition from bare-knuckle fights to gloved boxing matches, following the Marquis of Queensbury’s rules.
Foley loved the stage as well as the prize-ring. Just as the innate theatricality of professional wrestling and the WWF made it easy for The Rock to segue into bit film-parts today, Foley found it a cinch to appear in big theatrical productions in the late nineteenth century.
In 1880, for example, he appeared as Charles the Wrestler in a production of As You Like It at Queen’s Theatre in Sydney. The production starred a touring American actress, Louise Pomeroy, as Rosalind. The audience who turned up for the opening night were more interested in Foley’s performance, however – or at least it seems so from the review that appeared in the Sydney Morning Herald the next day. ‘The majority of those present were very noisy’, the Herald reported. ‘Besides interfering with the comfort of the remainder, their boisterousness seriously militated against the success of the entertainment’. The paper added that Foley was much to be commended on his appearance, especially for his ‘well-considered fall in the wrestling scene’.
Larry Foley evidently enjoyed playing Charles the Wrestler, because he ended up reprising it in several later Sydney productions of As You Like It, including one starring Ada Ward as Rosalind in 1882 and others starring Lily Dampier in 1886-87. He also made attempts to become a theatre manager for a time, but went back to managing exhibition boxing matches when it proved financially unviable.
Foley is a perfect example of the interconnections between sport and theatre that I have talked about in a previous post. This overlap between theatre and sport was apparent all over the English-speaking Western world, including Australia. It was at its most acute pre-1930 – but of course, it still lives on in the tradition of sporting dramas on the screen and in the person of sporting celebrities-cum-actors such as Dwayne Johnson.
Sydney Morning Herald, 4 October 1880, 6; 8 March 1882, 2; 29 October 1886, 2; 29 July 1887, 6.
W. M. Horton, ‘Foley, Laurence (Larry) (1849 – 1917)’, Australian Dictionary of Biography, Volume 4, Melbourne University Press, 1972, p. 193.
Image of Laurence (‘Larry’) Foley from www.cyberboxingzone.com.
See my other post on Larry Foley here.